Main elements of visual identity
The visual identity manual or brand book is a technical guide that presents graphic standards and usage principles for the logo and other visual elements. The purpose is to specify compositional principles used in building the brand, for further use.
A visual identity manual presents the correct uses of certain graphic components so that the design choices reflect the brand’s personality. These components work together as a logical system that defines the application rules for various print or digital communication materials.
The guide includes technical info – color codes for print and digital products, recommended sizes and ratios, related symbols, fonts, and applications. The visual identity manual comes in handy for a designer working on promotional visuals, who has to keep in line with the brand’s aesthetics.
Graphics
In the context of visual identity, ‘graphics’ stands for all the visual elements created by a designer. These may have a simple shape like a Lego block or a bottle of Coca-Cola, which are immediately linked to the respective brands based on their recognizable silhouettes. Graphics may also be more complex and may include textures, pictograms, illustrations, or even animations.
“Good graphics” is coherent and places in context certain elements that are brand specific. This way the designers can create a series of multimedia assets – print, video, online, collaterals.
The logo
A basic logo is the name of the company written in a certain font (logotype) and with a certain color. A symbol may or may not be associated with the name. The logotype should not be confused with the brand font, used on communication materials. The logo helps identify the brand, but most of the time its function is more complex than that. A good logo is the foundation of a brand: it helps you relate to what your brand is, does, and shares. A lot of responsibility for a tiny image, don’t you think?
The logo design is at the center of establishing a visual identity. It influences all the other components of the visual identity: imagery, supergraphic, and types of fonts used in brand communications.
A common confusion between the logo and the brand
It might seem complicated, but it is really simple: the brand is the whole range of perceptions that people have of your company, product, or service. In other words, the overall impression that your company, product, or service makes on its clients. This impression may be instrumented using a number of marketing tactics such as commercials, client service, and product quality.
The logo is part of the brand, not the other way around
The Apple logo is iconic and instantly recognizable, but it does not exhaust the brand identity by itself. Apple is elegant, highly usable, and friendly to its customers. These qualities are also present in Apple prints, TV commercials, web designs, and the aspect of their physical or online stores. The logo is the element that serves as a common denominator of all these things. Let’s face it, Apple would not be the same without its apple with a bite.
The fonts
‘Font’ and ‘typeface’ are now used interchangeably, and we won’t get into clarifying the difference. The important takeaway is that you better use certain styles of letters in your company’s branded communication. These styles should be coherent across multiple media (prints, website, social media). There is a great number of fonts out there and each of them has a different effect on the viewer, depending on its legibility and other factors. Don’t mistake the visual identity font with the logotype (meaning the font we use to write the brand name in the logo). Most of the time, the logotype is not even a font. It may start from one, but the designers work on it and modify it to make it unique. It sometimes (rarely) happens that our clients ask for the logo font, but we explain the difference and point to the chosen brand communication font.
A text is defined by phrasing, tone of voice, semantics, and syntax. In terms of shape, the letters are geometric elements that contribute to a brand’s personality. This is the graphic interface of the letter – the actual font. You may think of the font as mirroring the emotions conveyed by the words. A text written in round letters expresses joy and innocence, while a text with sharp angles may express anger or fright. The reason why we tend to reject sharp angles is that we associate them with danger. Such is our natural defense mechanism system, encrypted in our DNA.
This is something we can also observe in real life. Analyzing facial expressions and body postures, you may tell immediately whether a person signals safety (by smiling, or by her friendly body language) or, on the contrary, danger.
Practical rules of typography allow for functional associations that reflect what we tried to describe above. A brand may use a certain font family for titles, and another family for body text, or micro-copy. Fonts are usually categorized into several groups: serif, sans serif, slab, mono, etc. Font families work hand in hand. The serifs are considered more conservatory because they have been with us since the beginning of printed press. The sans-serifs are thought of as being more modern because they are largely used in websites and digital media.
The color palette
The order in which the human brain perceives the external environment is colors, symbols, numbers, and text. Color may be used to rapidly identify a brand. A color palette for a brand consists of a custom color scheme, most of the time no more than three colors, with particular tones and shades. In branding, we don’t talk of red and green. It may be shiraz red or seafoam green. A brand may utilize both primary and secondary colors. Secondary colors usually complement primary colors and make them stand out. Color functions are multiple, ranging from contributing to the brand identity to making the navigation of a website easier.
Generally speaking, colors may play a functional role:
- primary color (main color for a brand)
- secondary color (use it for backgrounds)
- accent color (use it for contrast, on various graphic elements, such as a CTA button).
Although the color palette generally applies to the logo, it should also apply to all the elements that form the visual identity of the brand. When used correctly, colors may elicit from viewers some of the richest emotional reactions
The supergraphic
The supergraphic is that distinctive element that acts as a signature of your brand. We usually derive it from the logo, but sometimes it may be totally unrelated. To exemplify supergraphic uses, we don’t show the logo on the inside pages of a brochure, but we recommend using a supergraphic to subtly maintain the connection with the visual identity. The supergraphic also plays an important part on street billboards or on branded cars. You may identify it from afar, whereas the logo becomes distinguishable only from a closer range. The supergraphic is also useful when you need to create certain dynamics for your visuals. You can use it in various styles, but you should not do that with your logo. Ever. Bottomline, the supergraphic gives the designers a creative element to play with, in various formats.
The imagery (pictures)
Brand imagery refers to the photo and video content associated with the brand, as well as to any brand ambassador that has to project a certain visual style. As part of the visual identity, brand imagery has to be selected in such a way as to mirror the brand’s personality. Also, it has to really help make a connection with the audience. Brand imagery consists of images that play an emotional part in conveying brand attributes. It is not functional and, therefore, it should not consist of factories, offices, and stores. Used together, imagery and functional images offer a complete and complex image of the brand.
Brand imagery is the visual identity component that your customers can relate to the most. That is because people tend to resonate with familiar images and they wish to see themselves reflected by the brands they consume.
In branding, we need to make a strategic decision on whether the images and videos we use have a corporate look and feel or portray regular people. This depends on the audience. The branding specialists set out a series of rules for the brand pictures, whether they’re stock or custom-made (in a professional photoshoot). The specialists specify the preferred lighting, atmosphere, mandatory elements, shooting angles, perspectives, and other compositional instructions.
Branding materials (layouts)
A brand’s tangible assets are the material objects that contribute to the brand’s visual identity. Strictly speaking, this may not apply to brands that have no physical presence. For brands that do have a physical presence, the nature of their tangible assets may vary greatly.
Branding materials may include the overall look and design of a store. You can think of the very similar look and feel of all Apple stores out there, with their white interiors and large glass walls. Branding materials also include employee uniforms, or the porcelain, cutlery, and table cloths used in a restaurant. All these send messages to customers, and you want that message to be as coherent as possible.
In order to accommodate all these applications of the visual identity, we design a series of graphic layouts that project a unified image. The layouts include business cards, Word templates, PowerPoint templates, e-mail signatures, and so on.
Usual brand materials: business card, envelope, electronic signage, brochure, catalogue, flyer, poster, document case, website design, online banner, e-mail signature, newsletter design, social media design, custom clothing, interior and exterior signage, exhibition stand, street banner, personalizare fleet graphics, motion graphics.